Chris's Session - Apr 23
The themes were: The letter S , The letter U, The letter L
commentsThe themes were: The letter S , The letter U, The letter L
commentsComing up to it’s second decade, this incendiary debut album from London-based Quartet, Bloc Party, is refreshingly “rock”. No fancy keyboards or unnessecary embellishments, this is just a slam of guitars, bass and drums and some vitriolic vocals from Kele Okereke.
commentsBy my count, this is record number 20 (since 2012) for this Melbourne sextet. The truly amazing thing is, and I take the reviewers’ word for it, they all sound different.
commentsWhile not prolific, averaging 3 to 4 years between records, Mark Linkous is consistent in his greatness. There’s never a note wasted on all of his records.
commentsThe Stranglers were always outliers, probably before the term was even in the common vernacular. Their first two records were right in the thick of the punk ethos but strangely dissimilar to anything else.
commentsYou’d think I’d be sick to death of Lana Del Rey. This is her 9th record since 2012’s “Born To Die”.
commentsUnlike the Cure’s later, post 1992’s “Wish” albums, the Bunnymen HAVE continued to make great records. While The Cure re-peddle their magnificent back catalogue, Ian McCulloch and Will Sergeant have managed to be creative and sound as fresh as those early days.
comments50 years ago, Takashi Mizutani and his bunch of fellow Japanese ruffians hung out at OZ, a cafe and live performance venue in the heart of Toyko’s Kichijoji neighborhood.
commentsRIP: The Great Ryuici Sakamoto, founding member of YMO, actor, record producer and composer/muscian, died after a long illness on March 28th.
commentsThis 2022 half-speed-mastered, repress of The Who’s 3rd record sounds ridiculously good. Entwistle’s bass guitar especially comes to the fore but there’s amazing staging of all instruments.
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