Depeche Mode - Music For The Masses (1987)
I’m just loving rediscovering my big wall of sound. This big multi-level shelf of plastic and card-board cases hold the majority of my CDs, SACDs and DVD-Audio/Blu-ray discs.
commentsI’m just loving rediscovering my big wall of sound. This big multi-level shelf of plastic and card-board cases hold the majority of my CDs, SACDs and DVD-Audio/Blu-ray discs.
commentsI really hummed and ha’d about “needing” to have this on vinyl. After all, I’ve already invested in the magnificent Nancy Sinatra 2 LP compilation “Start Walking” which spans the years 1965 to 1976.
commentsWhile there were a few fleeting moments sans John Foxx, with Ultravox version 2.0, which followed on after his departure, the original Ultravox was more of a real deal.
commentsThis record encompasses everything I like but is also unlike anything else I like. Does that make any sense? I really doesn’t need to.
commentsIf you can find a better sounding CD than this, I’ll eat my entire vinyl collection. I can’t even contemplate why you would ever listen to this on anything other than a CD or via decent streaming media.
commentsThe New Zealand-based “A Sonic Youth” podcast just keeps on dishing up truly splendid, under-the-radar, what-the-fuck-is-alternative-music-anyway, musical richness. That’s four absolutely killer references in four episodes.
commentsThis is guitar heaven for alt-rock/dirgey guitar slinger freaks. J. Mascis, as on this album, remains a true shred maestro with his trusty ‘63 Fender Jazzmaster amped up to the hilt.
commentsWho wants to listen to music when the sky is literally falling and the murky, dank flood waters are lapping at your doorstep?
commentsI heard a great song, “Popular” by this New York-based band on a recent podcast. I really needed to check them out a bit more.
commentsAnother faultless record from these Duluth-based, slow-core pioneering Mormons. (Incidentally, Duluth was also the birth place of one Robert Zimmerman). Recently picked up by Sub Pop records this is a major leap forward in instrumental layering and accessibility.
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