DavidI don’t always go for remixes, but this band just screams out for the treatment. While the Khruangbin sound takes a very slight step backwards in the mix it’s a den full of very tasty disco bangers this evening.
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DavidThis CD sits right at the very top of my collection. OK, alphabetically it’s a given, but musically it’s simply an embarrassment of riches.
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DavidShit, I’ve heard many worse records than this one. Apart from a little bit too much sax and a funky dance vibe it’s a salvable remnant from the Mr.
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DavidThis is a remarkable comeback record for the 72 year old, ex Fleetwood Mac guitar and song writing maestro. Ousted from the band in 2018, probably mostly by his own doing, and battling major health issues, he’s made a record that could sit alongside those BIG Mac records of the mid-70s.
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DavidAside from the impeccable music on this record, the first thing that really strikes you is the quality of the packaging.
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DavidTrack 1, “(Theme from) The Monkees” is one of my all time favourite childhood memories and still fills me with delight to this day.
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DavidMerseyside’s, The Coral have never made a duff record in all of their 20 plus years of existent. This new record is another album filled to the brim with greatness.
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DavidI happened upon Anne Clark via the great 2018 documentary “I Will Walk Out In To Tomorrow”. Prior to that I was aware of but not at all familiar with her music or her brilliance.
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DavidNothing prepares the listener for this. It’s Arthur Russell’s only non-collaborative record consisting of cello, voice (somewhere between Boz Scaggs and Nick Drake) and in-studio or live, sounds and textures.
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DavidThis is an absolutely fabulous compilation of Japanese rock, electronic and fringe dwelling music from the 1980s. Impossible to find the conventional way, (but I’ll keep looking), this is courtesy of a subscribed lossless website.
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