Idles - Crawler (2021)
One of the best opening songs I’ve heard in a long time, “MTT 420 RR”, (literally the vocalist’s own historic car crash), sets the stage for a remarkable journey.
commentsOne of the best opening songs I’ve heard in a long time, “MTT 420 RR”, (literally the vocalist’s own historic car crash), sets the stage for a remarkable journey.
commentsThe more I dig into German music of the last 50 or so years, the more I am blown away. This outrageously great funk record sounds like it belongs back in the 70’s but with today’s state-of-the-art production it’s unmistakably contemporary.
commentsAt this time of year who wants to overthink the previous 12 months? For most of us it’s been a proper, global annus horribilis.
commentsSplendid, hippy dippy masterpiece that sounds both completely messed up and singularly focused all at the same time. It’s a mishmash of styles of the time but totally expected when you consider the roll call of participants.
commentsA very ethereal record from Beach House. Sounding like its big fluffy red cover (I kid you not) this recording is enclosed in a murky haze that keeps the poppy sugar coating that’s trying its hardest to bust out under wraps.
commentsI’m really not sure what attracted me to this, aside from the beautiful cover, but what a fantastic find. Like a few days lately, I’ve been finding a few unfamiliar tracks and albums via streaming services.
commentsOne of my pet peeves when buying records is the absence of plastic inner sleeves. Most of the paper inserts, glossy or otherwise, that come with the majority of new records these days, are as good as useless.
commentsOne of the greatest finds of this year is this killer record from San Fran’s totally unhinged Thee Oh Sees. Impossible to categorise, to me they fit somewhere between King Gizard and the Wizard Lizard and The Bevis Frond.
commentsAnother great bit of vinyl that’s found it’s way back home. This 1985 Aussie pressing, which I’d given away in the early 00’s and kindly returned, still sounds remarkably pristine.
commentsCo-written with Reeves Gabrels, this is Bowie’s most mellow record since “Hunky Dory”. It still rocks out in places though, especially with Mr.
comments