DavidBrilliant remix/dubbed up version of Liam Bailey’s “Ekundayo” album - which I listened to just the other day. Every day I ask the question, “where has all of this wonderful music been all of my life”.
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DavidHamilton-born, Kimbra Johnson is really hard to categorise. There’s simply no doubt about it though, she’s one hell of a talent.
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DavidAnother deep dive into a rabbit hole for me of late as I take several forays into the world of Jamaican-influenced music.
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DavidThis Danish band is just extraordinary. Their record, 2005’s “And the Glass Handed Kites” is an epic masterpiece that demands at least a yearly, uninterrupted aural immersion.
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DavidSoul Records Presents: Afro-Centric Visions In The Age Of Black Power. Underground Jazz, Street Funk & The Roots Of Rap (1968-79) I bought a book.
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DavidThis slightly warped EP (literally and figuratively - physically, its a bit on the bendy side) from Texans “The Black Angels” sounds like it really shouldn’t work at all and at times it’s just way off being pleasant.
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DavidAn Organ Grindin’ Funky Good Time soundtrack from 1969’s “Party Girls” a long lost (probably for the best) low budget sleaze fest.
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DavidI LOVED La Luz’s last record, 2018’s “Floating Features”, but while pleasant enough, this new album has upped the production levels and sanded off those rough edges I loved on the previous one.
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DavidProgressive folk at its finest. Don’t expect any real song structure, just one long, meandering, multilayered, highly complex, electro-acoustic folk jam.
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DavidFabulous debut record from South London’s Dry Cleaning. It’s the first time heard tonight, on recommendation from Mr. Smithies. It’s an immediate slam dunk.
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