DavidThis record was released in 1970 and was named Rolling Stone’s album of the year ahead of Let It Be by The Beatles, Morrison Hotel by The Doors, After the Gold Rush by Neil Young, Moondance by Van Morrison, Bridge Over Troubled Water by Simon and Garfunkel, Pink Floyd’s Atom Heart Mother and Led Zeppelin III.
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DavidBefore my tastes became a little more eclectic and sophisticated, I was an Elton John obsessive. This holds some fantastic memories and remains a cracking good record.
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DavidFloating Points, Pharoah Sanders & The London Symphony Orchestra A record (in this case an album streaming from Tidal) that demands nothing.
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DavidThe themes were: Something fine, finessed, fragile or sofisticated, Something foreign, far-fetched, far out or unfamiliar, Something flamboyant, flashy, flaunting or florid
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DavidSome of this reminds me a bit of Herbie Hancock and the robotic dancing legs of “Rockit. There’s some serious funky jazz going on here.
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DavidIf you really want to kickstart your Krautrock adventures with smoking wheels there’s simply is no better place to start. This is a guitar-driven, all balls out, Meisterstück that is worthy of all accolades.
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DavidWhile a truly miserable record and definitely of its time, this relic of the early 80’s is the antithesis of much of todays formulaic garbage.
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DavidThis is the first Luna release in quite some years. (well 13 years if you want to be more precise). Kiwi Dean Wareham’s droll deliver is just perfect as I prepare our “Hello Fresh” construction this evening.
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DavidThis sprawling, hooks-heavy third release from the Haim sisters is also sonically magnificent. As with the first two vinyl releases it’s mastered at 45rpm.
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DavidBrett Anderson’s voice is the main instrument I crave for when listening to any Suede record and this is especially the case with his more mellow solo records.
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