![Various Artists - Crash Course For The Ravers [Mojo] (2020)](/images/post/wilt_20201004_image-asset_hu80a70872ffa217a7e42b5d0b8dd9e90e_13508_0x230_resize_q95_h2_lanczos.webp)
DavidAnother fun-and-fan-filled and somewhat obscure Bowie-related compilation - this time courtesy of Mojo Magazine. (Uncut Magazine released a couple of Bowie cover compilations back in 2003 and 2008).
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DavidMore dirgey psychedelia from the Wooden Shjips’ trippy guitarist and leader Erik Johnson et al. While it gets a bit samey across several albums, (this is my forth Moon Duo record), it’s exactly the samey that I really like!
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DavidI just can’t stop raving about ACE Records. The latest compilation, show casing the mid-70s, is another brilliant sampler of the music of the time.
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DavidMore “Jazz Club”! Madlib invades Blue Note. With unfettered access to the Blue Note catalogue, this record is a mangle of classic jazz that’s completely reinterpreted and re-flavoured.
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DavidAlong with Cabaret Voltaire, who had taken a bit of a right turn mixing menacing electronic textures with funky dance rhythms in the early to mid 80’s, I was totally hooked on the electronic/hip hop mashups of Mantronix.
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DavidThere’s some truly gut-busting, funky minimalism going on here! It’s dance-punk if you really want to label it. The Scroggin sisters, which hail from The Bronx, which now include a new generation of daughters playing in the group, have been around since the late 70’s.
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DavidI give Elton’s “Your Song” the same respect as I do for Bowie’s “Space Oddity”. Both fantastic songs released within 6 months of each other, but the albums from which these songs originated were never on my radar until much later.
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DavidThis band couldn’t make a bad album if they tried. Over nearly 30 years, and since 1992’s revelatory “May I Sing With Me”, I have been totally absorbed by their unique and consistently brilliant musical journey.
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DavidI must admit, I was expecting a bit more of a sideways move from Mr. Berry. (He of “Frost Of London”, “The Mighty Boosch” and the US version of “What We Do In The Shadows”).
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DavidA gorgeous mid-nineties dreamy shoegaze record of the highest order. For the unsuspecting, it can be an otherworldly swirl of guitar noise and way-down-in-the-mix vocals, but it’s never short of a spine tingling melody within that dirge.
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