Nick's Session - May 18
The themes were: Raw abrasive knee-buckling hard- swinging boogie!, The hook., Repetitive.
commentsThe themes were: Raw abrasive knee-buckling hard- swinging boogie!, The hook., Repetitive.
commentsEvery so often I catch the bus (reluctantly) to Richmond. (This endlessly sprawling and souless “location” where I just happen to work, would never be on any of my “favourite-places-to-be” list.
commentsOK, I won’t piss around. This is one of the most pretentious, grandiose and utterly brilliant albums in my entire collection.
commentsIt’s a hard job staying relevant in the music world when what is deemed “the best years” are close to 25 years ago.
commentsIt’s a mixed bag for me this one. Some of the more experimental stuff grates but then the record completely absolves itself with some incredibly hooky bass-lines and riffs and several songs to die for.
commentsThese dudes started off as a post-new-wave, gothy-punk-avant-garde-noise-band. (It’s a proper musical genre, I’m telling you!) However, I didn’t become aware of them until they morphed into a fully fledged white boy funk band and five albums into their 4AD label tenure.
comments[Original 1980 Japanese pressing from Lo Cost Vinyl in Jackson Street, Petone] I just spent the weekend in Wellington and restricted my purchases (with the utmost of restraint I must say!
commentsAlong with last year’s wonderful “Savage”, this earlier release just ticks so many boxes. It’s dark. It’s heavy. It’s impossibly catchy and it’s possibly the most unfashionable record in my entire collection.
commentsWhat a fucking glorious racket!! This recently discovered quintet hail from San Diego and this monster is their first release in 14 years.
commentsI’ve decided it’s music-streaming-month. I’m now spending more on streaming services like Tidal, Amazon Music and YouTube Red and far less on a physical CD or vinyl record.
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